BWA Warszawa
BWA Warszawa
Martyna Czech, Leszek Knaflewski "We have nothing in common"
25.05.2019 - 30.06.2019
FOAF 2019: BWA Warszawa hosting Gianni Manhattan (Vienna) + Kristina Kite (LA)
06.04.2019 - 11.05.2019
Witek Orski "I would prefer not to talk about this"
14.02.2019 - 30.03.2019
Between Salvation and Constitution
11.11.2018 - 05.01.2019
WGW 2018: Agnieszka Brzeżańska, Jan Dobkowski, Zuza Krajewska "Goddesses"
21.09.2018 - 27.10.2018
Jadwiga Sawicka "Protest Reflex"
23.06.2018 - 31.07.2018
Ewa Ciepielewska "Emotional Support Animals"
12.05.2018 - 16.06.2018
FOAF: Jiří Thýn, Piotr Makowski, Witek Orski, "Line"
07.04.2018 - 28.04.2018
Adam Adach "Demos and Demons"
03.03.2018 - 04.04.2018
Agnieszka Kalinowska "Heavy Water"
27.01.2018 - 28.02.2018
WGW 2017: Yann Gerstberger, Sławomir Pawszak, Hanna Rechowicz "The Uses of Enchantment"
22.09.2017 - 25.11.2017
WGW2017: WYKWITEX
22.09.2017 - 24.09.2017
"Living in a Material World" Paweł Dudziak, Adrian Kolerski, Michał Sroka, Eliasz Styrna, Katarzyna Szymkiewicz
02.09.2017 - 16.09.2017
Małgorzata Szymankiewicz "Stretching of Concepts"
27.05.2017 - 29.07.2017
Ruben Montini "One Person Protest"
27.05.2017 - 27.05.2017
Wielka 19 Gallery
04.03.2017 - 06.05.2017
THE DYNAMICS OF DECLINE
28.01.2017 - 25.02.2017
Witek Orski & Maria Toboła "Spinning sex"
17.12.2016 - 14.01.2017
WGW 2016: Karol Radziszewski "Ali"
23.09.2016 - 19.11.2016
Small Sculptural Forms
19.06.2016 - 10.09.2016
Sławomir Pawszak "Heat"
12.03.2016 - 28.05.2016
Krzysztof Maniak "Snow Is What Comes To Mind"
06.02.2016 - 05.03.2016
Lada Nakonechna, Zhanna Kadyrova "Experiments"
05.12.2015 - 30.01.2016
WGW 2015: Ewa Axelrad "Minimum, Necessary, Objectively Reasonable"
25.09.2015 - 21.11.2015
Małgorzata Szymankiewicz "Postproduction"
26.06.2015 - 12.09.2015
Joanna Janiak, Piotr C. Kowalski "The Nature of Things"
25.04.2015 - 13.06.2015
Iza Tarasewicz "Reverse Logistics"
14.02.2015 - 19.04.2015
Karol Radziszewski "In the Shadow of the Flame"
29.11.2014 - 04.02.2015
WGW: Olga Mokrzycka-Grospierre, Nicolas Grospierre "A Glass Shard in the Eye"
26.09.2014 - 22.11.2014
Jadwiga Sawicka "Fragments of Stories"
24.05.2014 - 24.07.2014
Jakub Woynarowski "Saturnia Regna"
15.03.2014 - 17.05.2014
Sławomir Pawszak „Cannabis, whisky, ananas”
11.01.2014 - 08.03.2014
The Gardens. Laura Kaminskaite, Augustas Serapinas
23.11.2013 - 19.12.2013
Agnieszka Kalinowska "Eastern Wall" BWA Warszawa
27.09.2013 - 16.11.2013
Zuza Krajewska "Solstice"
29.06.2013 - 14.09.2013
WITHERED, Kisterem Gallery, Budapest
21.06.2013 - 15.08.2013
LITTLE WARSAW "Enter"
25.04.2013 - 21.06.2013
“Warsaw: The Day After..." Vartai Gallery, Vilnius
11.04.2013 - 11.05.2013
Self-Organization, vol.2: New Roman
23.03.2013 - 20.04.2013
Ewa Axelrad "Warm Leatherette"
26.01.2013 - 20.03.2013
Self-Organization, vol. 1. Certainty
05.01.2013 - 19.01.2013
Ziemilski / Marriott / The End of the World
21.12.2012 - 21.12.2012
Kama Sokolnicka "Rusty elements of our garden"
28.09.2012 - 30.11.2012
"ALPHAVILLE" Griffin Artspace, Warsaw
28.09.2012 - 30.12.2012
Krystian TRUTH Czaplicki "The Changeling"
21.07.2012 - 09.08.2012
Adam Adach "Reprezentacja"
21.04.2012 - 07.07.2012
Małgorzata Szymankiewicz, Przemek Dzienis "Sub Pop"
25.02.2012 - 14.04.2012
Nicolas Grospierre "The Bank"
03.12.2011 - 11.02.2012
Tribute To Fangor
05.11.2011 - 20.11.2011
"New Order", Art Stations, Poznań
29.09.2011 - 09.02.2012
Wojtek Ziemilski "New Order" performance
23.09.2011 - 24.09.2011
Agnieszka Kalinowska „Extinguished Neon Signs”
10.09.2011 - 30.10.2011
Jarosław Fliciński "Nobody Knows That For Sure"
25.06.2011 - 28.08.2011
THE OPENING "Plundering the Ruins of Reality"
07.05.2011 - 11.06.2011

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Agnieszka Kalinowska "Eastern Wall"

BWA Warszawa hosts an exhibition of recent works by Agnieszka Kalinowska, made between 2012 and 2013. For "Eastern Wall", she has once again taken up paper as her medium, a raw material that is both familiar and easily manipulated. These sculptures are inspired by the reality around her, their shapes reminiscent of characteristic wall decorations made by unqualified construction workers in the 1960s and '70s, sculptures made of industrial refuse, even a simple plank of peeling oil paint. Yet her artistic forms are not a documentary-style replica of these forms of the past, but rather an intuitive approach to recall them to memory. Her goal is not a faithful imitation of reality, but an analysis of the object's properties. Some of these small-scale, intricately crafted structures of tinted paper are displayed on raw tables also made by the artist's own hands, the tables themselves forming an integral part of the works. Other pieces are exhibited on the gallery walls, breaking the traditional bounds between sculpture, painting and installation.

The title "Eastern Wall" is not simply a geo-political term, but primarily a mental one. The idea of the "East" has taken on the particular connotation of the arena hosting the fall of the Soviet version of the modernist utopia. Classic modernism has been filtered through the "eastern" mentality and its specific character, straying from precision and exactitude. The eastern imperative of logic and purpose has given way to a more flexible set of rules and instances. Agnieszka Kalinowska pays heed to the formal anomalies resulting from man's activities, which has brought subtle shifts and a loosening of norms into the realm of perfectly designed geometric forms.
"Pattern", one of the works exhibited at the show, is a reminiscence of those wall decorations executed with a clumsy hand, with little attention to detail. Kalinowska extends this theme of inconsequence and rigor. Hence her sculptures of seemingly repetitive, identical parts (rims, pipes), jar the eye accustomed to proper rhythms and continuity. The geometry of her works is highly intuitive, close to biomorphic forms. Alongside the imperfection of execution, the artist is equally intrigued by an analysis of objects derived from the time when Polish artists had limited access to materials. The junk of industrial refuse of the period became an artistic medium. The artist, too, creates all the elements of her objects herself, rather than make use of ready-made elements. Her art of slight, seemingly incidental "errors" is in reality a fully-controlled formal analysis, mindful of every detail.

Exhibition in the frame of Warsaw Gallery Weekend
www.warsawgalleryweekend.pl